[arch-general] [Fwd: [LAU] A sound decision]

[Uli Armbruster]

* Ng Oon-Ee <ngoonee at gmail.com> [09.02.2010 23:46]:
> Forwarding the below, for those interested. fons, you'd maybe like this?
> 
> -------- Forwarded Message --------
> > To: linux-audio-user at lists.linuxaudio.org
> > Subject: [LAU] A sound decision
> > Date: Tue, 9 Feb 2010 18:26:36 -0200
> > 
> > http://www.itwire.com/opinion-and-analysis/open-sauce/36698-from-windows-to-linux-a-sound-decision
> > 
> > From Windows to Linux: a sound decision
> > 
> > Some excerpts:
> > 
> > Five years ago, when Geoff Beasley decided to move his sound studio
> > business from a Windows-based one to a Linux-based setup, he had one
> > simple bit of logic driving him: things could not be worse under
> > Linux.
> > ...
> > "There's a great difference between working with commercial software
> > and Linux," says Beasley. "One is the speed at which things get fixed
> > - it is simply amazing. Another thing is that though I am always
> > running software which is in a constant state of development, it is
> > incredibly stable. It is not possible to get fixes at this speed from
> > commercial vendors - the guys I work with are driven by the sheer
> > elegance of their software and its flexibility. And I am constantly
> > amazed at what I can do with my limited knowledge."
> > ...
> > Beasley's set-up:
> > 
> > SYSTEM SOFTWARE
> > 
> > All 5 of the production machines have the following subsystem:
> > 
> > Arch Linux system custom 2.6.31,6-rt19 kernel with RT preemption
> > (essential for Xrun avoidance - click and pops) Desktop consisting of
> > openbox, Adeskbar and pypanel. Display manager is Slim
> > AUDIO
> > jack2-svn (contains netone; which is netjack1 within jack2)
> > Qjackctl-svn
> > Rtirq (RT pci priorities for sound cards; also essential for Xrun avoidance)
> > 
> > LinAS
> > LinAS is the audio master machine. It hosts 4 Hoontech C-Ports
> > (ice1712-based chipset) in an Alsa multi-array providing 40 channels
> > of audio to the other machines via 'netone'. jack is running with 2
> > periods @ 48kH and 64 frames giving a 'round-trip' latency (in and
> > out) of 2.66 ms . Can be run @ 32 frames (half the latency) but the
> > samplers struggle at this low a frame rate.
> > 
> > Uses Gjacktransport to control the jack transport here and therefore
> > the netone slaves via jack transport.
> > 
> > LinDAW
> > The Digital Audio Workstation hosts 'Ardour' as the main DAW software
> > and also Mhwaveedit and Audacity for audio editing, Qjadeo for
> > synchronous video playback with Ardour, K3b & GDC Master for CD
> > mastering.
> > 
> > LinSeq
> > The midi sequencer machine. Runs MusE 1.01-svn and Linuxsampler with
> > the Fantasia (java) frontend. Magic. Mscore is the Linux music scoring
> > program, started by the creator of MusE, Werner Schweer.
> > 
> > LinSampler
> > Uses the program fst (free software studio) by Torben Hohn to run
> > vsti's (virtual studio technology instruments) under wine. The two I
> > run are Kontakt 2 and Sampletank 2. Both work 100 percent maybe better
> > than under Wine.
> > 
> > LinVS
> > This is the 'Video Server" This one specialises in distributing video
> > throughout the complex via webcams using 'Cheese' to mount them.
> > Kdenlive and capture cards are used to take interviews of Composers
> > and Performers for web-based content enhancement. Qjadeo is used to
> > playback vision also piped throughout.
> > 
> > LinFX
> > Essentially hosts the Jc_Gui front end for Fons Adriaensen's
> > Jconvolver. Using open source Impulse Responses. Gives reverbs to the
> > mixing desk.
> > 
> 
> 

He should have bought some Macs and run ProTools on it! I really don't like Apple stuff in general, but the combination Mac + ProTools is amazing, it's stable and the features blow your mind. Of course Linux and Ardour are cheaper (what is cheaper than nothing? ;-) ), but reading, that he catched a virus using the Internet Explorer shows me, that he's really not that clever with computers. And I can't believe, that even Windows has to be reinstalled twice a year on a working machine. Does he have internet access with this computer? Does he randomly install stuff on it and uninstall it again? That's not what a studio computer should be used like. I'd say, he should have installed Windows on it, installed his software and that's it, no other crap on the system, no playing around.

But still it's very nice to see that Ardour can be used in a professional environment. Let's see how well the next big release is gonna work (for those interested, yesterday I uploaded ardour3-svn to the AUR, it seemd quite stable to me at first sight)

Thanks again for the link, I didn't know this article

Greetz
Army